As part of my support for local charities, I print and sell images. So I was pleased to win the confidence of a local business to produce a print for their new client room.
Earlier in the year I had captured a few images of a very misty estuary and sailboat, the lighting conditions were unusual because the mist was producing a red cast similar to sunset but whiter highlights on the water.
The client chose this image for the calm serenity that it portrayed.
The sample print had been A4 size and the client wanted an A3, my main concern was getting both the colour temperature accurate to the conditions and keeping what little detail there was in the image, especially at A3 size.
Fortunately help was at hand in the form of DxO Optics Pro v10. I had recently seen a demonstration of the software at the Wilkinson’s Digital Splash exhibition. I was convinced that the software was going to have an impact on my digital workflow.
Optics Pro software looks at the camera body and lens combination you have used to capture an image (works best in RAW) using the EXIF data. It then makes a series of complicated mathematical calculations to adjust the image for any optical & physical corrections required to bring image closer to your intended capture (it won’t correct human errors such as poor focus etc).
The software is straightforward to use with a very intuitive interface, after interrogating your EXIF file the software goes online to get the camera and lens profile combination used from a large database of files (painstakingly created by testing the majority of lens & camera combinations – check if yours are supported).
After a very short time, I had a result which I was quite pleased with, the options of output are quite wide with file formats such as JPEG, TIFF, DNG supported. There is even a plug-in to write directly into Lightroom.
If you want to start customising how your image file is processed, then there is a section to achieve this which has all the attributes that can be tweaked in logical groups: Essential Tools, Light, Colour, Detail and Geometry. Again all of these areas are quite intuitive but if you do require assistance, the help files are excellent – there are online links, tutorials and much more.
There are options to copy the correction settings you have achieved and also to make your own presets.
I like the option to append output files with DxO – as this helps me understand how I have processed an image.
Preparing the image for printing was the next task which was assisted by the use of the X-Rite ColorMunki hardware and software solution.
For any important project like this, I take the precaution of re-calibrating my monitor/screen and then performing a paper/colour profile (ensuring that ink tanks are all sufficient, as any replacement will change the colour output).
It’s very important for me to get the best print without any problems or errors to keep the printing cost as low as possible, this ensures that I can maximise the donation to the chosen charity for which the project is helping.
Most of my images are landscape, wildlife or RNLI action – so I don’t usually have the opportunity to use a X-Rite ColourChecker Passport at the start of any photography but it will be something that I will definitely look at if I start doing people or groups because of the help it can offer in achieving the desired finished print.
My goal is to grow my photography ability and support for charities, spending more time capturing images with a smoother digital workflow to output helps give me the confidence to push my ability and camera to the limit.
Below are the two images
There is an improvement in details, especially in the shadows and the colour profile is much warmer – as it was when originally captured.
I now understand the message that DxO quote on the introduction splash screen “Push the limits of your Camera” as it is difficult to actually start finding the limits, if you can’t accurately see what you are capturing.
Written by Chris Jameson @photo_cj
Chris has worked for a number of charities such as Trinity and RNLI. He donates his time and images to local and regional fundraising groups and often sells images, with the proceeds going to supporting charities.